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There are structural similarities in Salems' Lot, and I can't categorically deny that King didn't use Lovecraft for some of his early work.
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Weird Shadow over Innsmouth (remade in film recently as Dagon and as the computer game Call of Cthulhu currently on the shelves at Best Buy). It's a novella that depicts a New England town being taken over by these fish-like creatures and one of the characters trying to convince others of the town's tansformations. I think it might have been called the Ipswich Horror or something like that. I suspect he got the idea from HP Lovecraft. Geoffrey Lewis sitting in the rocking chair, telling Lew Ayres to "look at me, looook at meeeeee"īarlow's first appearence in the prison cellĪnd, although not a shocking scene in itself, David Soul's frighteningly vivid retelling of his experience as a youth in the Marston house to Lew Ayres.īarring "The Texas Chainsaw Massacre", I still feel this is director Tobe Hooper's most accomplished work ( like his contemporary Wes Craven, I feel Hooper's career peaked way too early, but that's the subject of another thread.)
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The Glick boy's nocturnal tapping at Lance Kerwin's bedroom window ( shudder!!! ) The Glick boy sitting bolt-upright in the casket at the climax of part one The real reason we're talking about this telefilm almost 30 years later are the impressive scares & setpieces: expectations, and supporting players (Geoffrey Lewis and Fred Willard in particular) were uniformly excellent. The droll and understated performance by James Mason elevated the production beyond the average t.v. Although I was never particularly fond of David Soul in "Starsky and Hutch", I felt he displayed some impressive acting chops. I watched "Salem's Lot" when it originally aired as a two-parter in 1979 ( at the age of 11 )and can vouch that myself (and my other family members watching) were glued in anxious terror to the screen. Here, here Sir Harry! I echo your sentiments as well regarding "Trilogy of Terror" and "Salem's Lot" as two of the most terrifying television viewing experiences of my youth. Did you like it, hate it, or couldn't care less? I thought I'd toss this bone out and see what response I get. Barlow, specifically in the scene where he's threatening Fred Willard with the shotgun. And George Dzundza as the jilted and vicious husband of the town floozy, comes off as the only character in this story as scary as Mr. His reaction is real, and you can feel it. David Soul does, in my opinion, the best example of someone absolutely terrified (at the sight of Marge Glick rising up from the dead on the hospital bed). James Mason is great, and his style here runs from icy cold to amusingly sarcastic. And it has the most frightening vampire this side of NOSFERATU. And many creepy moments that, to me, compare favorably to any classic horror of the cinema.
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But, being about 13 or 14 when this came on tv, and still sorely missing THE NIGHT STALKER tv series, this was a welcome sight. I do have an idea that many who read the book were disappointed in the mini-series. Before I get started, I just want to preface this by saying I never read the original book by Stephen King, so I have no idea how the two compare. Didn't see a thread on this here, so here goes.